New York, NY 10028
October 9 - November 20, 2020
Widely recognized as a leading figure of Postminimalism alongside peers Bruce Nauman, Dorothea Rockburne, Richard Serra, and Robert Smithson, among others, Barry Le Va’s influential and elusive practice emerged in the mid-to-late 1960’s in stark contrast to the monolithic, geometrically rigid, and stagnant sculpture of the time, instead championed transience and impermanence, and favored soft, humble materials, twisted and clustered, and deeply invested in physics, psychology, and architecture.
Le Va’s sculptural works are generally the result of an active process of distributing, spilling, scattering, blowing, layering, dropping, and throwing. The distribution of materials allows them to unfold in situ, in sequence and in relation to other conditions, over time. Le Va’s dispersals ultimately push the notion of sculpture to its formal limits: "To eliminate sculpture as a finished, totally resolved object. To eliminate a sense of wholeness and concentrate on parts, fragments, incomplete activities and structures. To emphasize transitional stages of an activity or many activities with no foreseen end…I had to eliminate a contained mass – expand it, extend it…Real time, real space, real locations, real reasons.”